Sarah Williams Goldhagen

Author, Architecture Critic

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October 19, 2016 By Sarah Goldhagen

AALTO’S EMBODIED RATIONALISM

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Aalto designed with the principles of human perceptual psychology in mind.

Writing this essay got me on the path to writing my current book.

Appears in Aalto and America, edited by Stanford Anderson, Gail Fenske, and David Fixler, published in 2012 by Yale University Press.

Filed Under: History, THEORY

October 19, 2016 By Sarah Goldhagen

AMERICAN COLLAPSE

infrastructure
The perilous state of the nation’s crumbling infrastructure. This was initially published in The New Republic in August 2007. By 2008, everybody was talking about infrastructure, including Barak Obama, and Felix Rohatyn had published a New York Times Op-Ed calling for the creation of a national infrastructure bank.

Not that I singlehandedly motivated policy makers to put infrastructure — far from it. But my piece was tagged on TNR’s cover, and generated a lot of discussion. Eventually, it was republished in this compendium of essays on transportation infrastructure.

Filed Under: History

October 19, 2016 By Sarah Goldhagen

MONUMENTALITY AND THE PICTORIAL STILL

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Essay on the impact of photography on the design of the Capitol Complexes at Brasilia and Albany, NY.

From the Proceedings of a Conference at the Clark Institute, it appears in a book edited by Anthony Vidler, Architecture Between Spectacle and Use, published in 2008 by the Clark Institute and Yale University Press.

Filed Under: History

October 19, 2016 By Sarah Goldhagen

GLOBAL CITIZEN: THE ARCHITECTURE OF MOSHE SAFDIE

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“Architecture as Vocation” examines Safdie’s intellectual development in the context of Team Ten, and emphasizes the importance of Safdie’s urbanism, an under-recognized strength of his wok.

Filed Under: ARCHITECTURE, History

October 19, 2016 By Sarah Goldhagen

ULTRAVIOLET: ALVAR AALTO’S ASTONISHING RATIONALISM

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In the collection edited by Barbara Maria Stafford, a brilliant art historian who was one of the first to recognize that the cognitive revolution would change everything we know about aesthetics. In her A Field Guide to a New Meta-Field: Bridging the Humanities-Neuroscience Divide (University of Chicago) are essays by eminent scholars on music, art, dance, literature . . . and me, on architecture.

Filed Under: History

October 19, 2016 By Sarah Goldhagen

INTRODUCTION TO RICHARD NEUTRA’S WINDSHIELD HOUSE

neutra
It was just a short essay, but I still like what I wrote.

Filed Under: History

October 18, 2016 By Sarah Goldhagen

DECONSTRUCTION SITE: REVIEW OF THE BROAD MUSEUM

1451135537818Art in America, December issue.
I posted this photograph on Twitter the day of the press opening, writing “Broad Makes Koons Look Deep!”

Filed Under: Criticism

September 18, 2016 By Sarah Goldhagen

CRITIQUE: CHICAGO ARCHITECTURE BIENNIAL

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Architectural Record
The picture is a wonderful rethinking of how to downside a McMmansion, by overunder, a firm in Australia.

Filed Under: Criticism

August 19, 2016 By Sarah Goldhagen

VALUABLE CHINA

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We may not like its government but that shouldn’t stop us from recognizing what it’s doing right.

Filed Under: Criticism

July 18, 2016 By Sarah Goldhagen

TOYO ITO: AN ARCHITECT WITH A SENSE OF THE BODY

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And that’s a good thing.

Filed Under: Criticism

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Categories

  • ARCHITECTURE (20)
  • Criticism (24)
  • History (6)
  • Landscape (1)
  • THEORY (1)
  • Uncategorized (1)
  • URBAN DESIGN/ CITY PLANNING (1)

Recent Posts

Excerpts from ‘Welcome to Your World: How the Built Environment Shapes Our Lives’

URBAN PASTORALS

From the Stacks: Santiago Calatrava’s Overrated Architecture

Stopped Making Sense

Making Waves

American Collapse

When Did Architecture’s Top Prize Become So Predictable and Boring?

How Steve Jobs Turned Design Into a Necessity

The Beauty and Inhumanity of Oscar Niemeyer’s Architecture

Architecture is More Than Just Buildings: In Remembrance of Ada Louise Huxtable

Shigeru Ban: Winner of the 2014 Pritzker Architecture Prize

Frank Lloyd Wright Was a Genius at Building Houses, But His Ideas for Cities Were Terrible

Place of Grace

Reason to be Cheerful

Sarah Williams Goldhagen on Architecture: Extra-Large

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